- First, they use accelerometer controls from the remote to produce much more natural motion. The motion is much smoother and more lifelike than the desktop controls because they mimic the motion of the remote.
- They have fewer options. Outside of the accelerometer, the remote is not as capable of capturing puppeteering intent, so we've simplified the puppets significantly for this type of presentation. For instance, the Magic Mirror doesn't have multiple moods.
- Because we don't control the unlocking of software when delivering through Apple's store, we cannot extend our policy of a software key purchased for, say, Yorick, to the AppleTV version of Yorick. And vice versa. Sorry. We hope the convenience of using the puppet on the television will make up for this!
Friday, October 30, 2015
Sunday, October 05, 2014
The versions are exactly the same as the previous versions otherwise. If you already have them working in your environment, there is no need to update unless you want to suppress that dialog box from appearing.
Monday, October 29, 2012
Sunday, October 28, 2012
For those of you who don't know yet, we've released new versions of our Halloween-themed puppets (all except Frosty) for the 2012 Halloween season. Get them on the main ImaginEERIEing site.
Please note that these puppets have different features than the 1.x series, so be sure to try them out in advance of using them in an attraction. Most notably, the microphone input and prescripted performance control modes are now gone. The former caused huge problems for many people and delivers subpar performance, and the prescripted performance setting is now easily covered by screen capture software.
All the new versions of the puppets are free upgrades for existing users. Enter your serial number for an older version of the puppet, and it should work.
Sunday, October 07, 2012
For the 2012 haunting season, we're (sadly) not introducing any new puppets. But we are rewriting our digital puppets from the ground up, and will be releasing them as a free update to all users.
Here's what's going on. Our current digital puppets were created in a 3D framework called Adobe Director. Unfortunately, Adobe's support of the Director product has been nothing short of abysmal; the last update was released in the year of our lord 2008. Up until now, it hasn't posed a problem, but with both recent versions of Mac OS X and Windows, our puppets are starting to fail, and since it appears Adobe is not going to update Director, we have no way of fixing these problems for our customers. (Thanks, Adobe.)
So, we're porting our puppets over to the robustly-supported Unity platform. We're having to do everything from the ground up, but our puppets are going to work better, and we'll be better able to support them on this new platform.
If you've purchased one of our puppets in the past (except Frosty), and would like to help us beta test the new puppets, drop us a line!
Saturday, March 24, 2012
In addition, we've updated our ImaginEERIEing.com site.
Wednesday, October 27, 2010
Tuesday, October 12, 2010
All I wanted to do was use Lightwave on my OSX laptop without installing Rosetta. Not such an outrageous request, given that OSX is a supported platform, right? I have a registered copy that ran fine before updating my system software, but now I don't want to install Rosetta - I want to run it under straight-up OSX. So I download the updater files, and I'm all paid up and everything, and I've even got my hardware dongle plugged in. (Seriously, what is this, 1996?) I run the installer. It installs the OSX version. Almost there!
Then I get this message: "Donglecheck requires Rosetta to run. Want to install it now?"
You know, if I wanted to install Rosetta, I wouldn't bother downloading the OS X update, now would I?
NewTek, if you're going to make my life difficult and use separate programs to enforce and/or unlock your clumsy, draconian DRM, at least keep them up to date. Don't make me install Rosetta for the sole purpose of unlocking your software (that I've already unlocked!) so that I don't have to run it under Rosetta.
That's worse than having no OSX version at all - at least then, I'd be installing Rosetta for some real purpose.
Sadly, this is not an isolated frustration - it is indicative of the software NewTek ships: haphazard, buggy, obtuse, nonsensical, poorly-thought-out software running on the fumes of long-passed greatness, all protected by paranoid, burdensome DRM disproportionate to the value of the software it protects.
I make purchasing decisions about 3D software for our multimedia studio. I'm going to be making a different choice for 2011.
Monday, August 23, 2010
Today, in my sci-fi tabletop roleplaying game I'm refereeing, that I wrote the rules to myself, I let my players use their iPads or iPhones to connect to a web application I wrote which emulated the actual sci-fi personal data assistant their characters use in the game world.
Let me reiterate this so it sinks in. I wrote a web application for fictional people to use on fictional devices. For a sci-fi tabletop roleplaying game. I am geek.
Here's the thing, though - it was a hit! The campaign is about unraveling a mystery about a murdered friend in a dystopian future, and this allows the players to investigate, analyze, and explore on their own, in a way that evokes the setting. The web app tracks the leads that the characters can follow up on, provides background information about the game world, and gives them a way to "receive data files" from characters. For instance, I was able to drop in new leads on-the-fly using my own iPad as they appeared in the story. It worked really well; the players were using it practically the entire time.
In fact, they're requesting new features for their in-the-game-world PDA. I'm about to get even more geeky - I'm going to be a fictional software developer responding to in-game-world software update requests... Gah!
Monday, August 16, 2010
Unlike my usual medieval fantasy fare, I'm branching out into new, unfamiliar territory: sci-fi. Thinking back on my refereeing history, I cannot remember running a campaign in an original sci-fi world, and I certainly never refereed sci-fi of the stripe I'm running now: "hard" sci-fi with a dark edge to it. Back in the day, I played Metamorphosis Alpha, Gamma World, and Star Frontiers (sadly, I never tried Traveller), but to be honest, these are just fantasy games with sci-fi trappings. They don't cleave closely to what sci-fi is really about: exploring who we are and where we are going as a society. Those other games just replace orcs with aliens and dragons with bugblatter beasts, and call it a day.
I'm going for realism, plausibility, and social commentary with this campaign, and even though we've only played one session, I think I'm off to a good start, but man, is it difficult. I'm way out of my comfort zone here. Even though both fantasy and sci-fi worlds are fictive and require answering questions on the fly about geography, social norms, economics, technology, etc., the bar is higher when it comes to sci-fi, because if it's going to be believable, there has to be two things that you don't need in fantasy: (a) a plausible path from "now" to the time the game world is set in, and (b) enough creative looking ahead to make it sci-fi without becoming ridiculous. Magic in a fantasy setting, it turns out, provides the would-be referee with a lot of crutches, because you can literally get away with anything when magic is in the mix. To a certain extent, you can do that with sci-fi technology, but the bullshit detectors of the players is a lot harder to get around when you're trying to achieve realistic technology.
I may have bitten off more than I can chew. The fictive universe of this new campaign is not Star Wars or Star Trek. It's as realistic as I could make it while still allowing some of the sci-fi tropes I wanted to bring in, such as visiting other star systems on some kind of reasonable time scale for telling stories. There are no alien intelligences in this game world - humans are all there are. Life, it turns out, is (relatively) abundant in the universe, but the vast majority of it is bacteria, algae, and the like, with a rare planet boasting more complex forms. I felt good about taking this approach, thanks to recent discoveries in Astronomy, but it still omits a LOT of the standard sci-fi storylines. Mars needs women, but it's just in the usual way that Earth needs women, because humans live there now.
So your typical space opera is out, which begs the question: what are the details of what is in? I'm having to flesh out a game universe that is a lot more detailed than I usually create. Already, in this first session, even with all the thinking and prep work I did, I ran into a whole slew of questions that needed adjudication on the spot. How do people back up their data in the future? How do people share contact information? What do peoples' living quarters look like? How has law enforcement technology changed over the years? How much surveillance is there? How do people go to the bathroom (do we still use paper, or are there the "three seashells")? How has religion changed?
Ultimately, though, that stuff doesn't matter. My players are smart and in it for fun, so if I screw something up, they can handle me retroactively changing stuff if I really have to. What matters is setting a compelling challenge at the players' feet, and that, thankfully, is the same task as in any system or game world. Even with all the starfaring and high technology that is available in this new universe, it's a human story they'll be exploring: understanding the death of a beloved friend. Emotion is the hook. Hopefully, that will make the story worth experiencing for me and for my players.
We'll see if I can pull it off. Wish me luck.